My instrumental as well as electroacoustic works are inspired from Nathalie Sarraute's "novels" and Morton Feldman's music. Sarraute investigates the area of sensation in a very grasping manner and Feldman goes ahead rethinking the notion of time and duration. in the acoustic context.

My work improvising is also involved with the same issues which is reflected in my use of an increasingly reduced sound material.

 

 
 

2008
          Still-leven
          for accordion solo [10'] Commission from Primoz Parovel, accordion. (Taiwan-Slovenia)

          Estudo de um piano
             for prepared piano and tape [10'] Commission from Luciane Cardassi, pianist. (Brazil-Banff)

2007
        Slow
             for string quartet and Bach-Gould. [14'] Commission from CBC, Radio 2

          Raumstudie_2
             for saxophone soprano, accordion and cello [11'] Commission'from ensemble Ecco. (Germany)

2006                
          Study of a Room  for string quartet [12']
          Commission from Huddersfield Contemporary Music Festival for the Smith Quartet.    (England)

          Plage d’abstraction no 2 electroacoustic music [6’] To appear on cd Zurich-Bamberg.

2005 
          Les Commencements for tuba and electroacoustic music [10’]. Commission from Leo Bachman ,tuba player

2004-05
          Là for string quartet and electroacoustic music [20'] Research grant from Canada Arts Council.

2004
          Est-ce la nuit…
          for choir[2’] Poem from Martine Audet, éd. Hexagone. Commission from ensemble Tactus.

2003 
          Plage d’abstraction no 1
             Electroacoustic music . [6’] To appear on cd Zurich-Bamberg.

            Contre-nuit for accordion and electroacoustic music. [10’]
            Commission from the Artists Center Est Nord Est in collaboration with the Centre des migrations and the Carrefour
            mondial  de l'Accordéon.
  
         Himmelweit for bass recorder and electroacoustic music [10']
            Commission from Markus Zahnhausen. (Germany)

         Von Schwelle zu Schwelle
            for chaluneau soprano [5’] Commission from the Internationales Künstlerhaus Villa Concordia. (Germany)

2002 
          Concert for organ. [10’]
             Commission from the concert Society Codes d’Accès.

2001-2002 
          Hereafter – a Macbeth’s extract for vocal quartet and electroacoustic music[ 10’]
   
          For Piano, Tape and Conversation [10’]
             Commission form the Center for Contemporary Arts in Glasgow. (Scotland)

2001 
          Éclat for violin and electroacoustic music. [8’] Research grant from Canada Arts Council.
   
          Matières retrouvées electroacoustic music. [8’30]

2000
          Objets electroacoustic music. [7’]

1999  
         Duo pour violoncelle et pipa. for cello and pipa. [10’30] Commission from Liu Fang.
   
         Le ciel doit être proche for violin. [7’30]
            Commission from the Banff Center for the Arts.

1998  
         Di-ptukhos series of seven diptychs short poem/musical miniature for piccolo, arab luth (ùd), cello and reader.
            Poems from Martine Audet. [20’] Commissioned by the artists’ center SKOL.

1997  
         À travers champs for orchestra [6’30] Commissioned by the Orchestre de l’Université de Montréal.
                 
1996-1997  
         Miniare: recueil de 13 pièces brèves
            for chamber orchestra and various ensembles stemming from the orchestra [ca. 30’]
         dour [2’15] for trumpet and piano.
         li [1’50] ubj [1’20] wind quintets [fl, hb, cl, cor, bn]
         cla [1’45] gerf [0’48] string quartets.
           cig [1’] xâ[1’40] for oboe, marimba and piano.
           osp [2’15] fe [1’] jonss[1’20] for 8 instrumentists [fl, cl, horn, tr, vln, vla, perc, pno]
           vur [2’30] ind [1’30] rèm [2’10] for chamber orchestra.

1996 
         Cueillir le jour for Clarinet Choir [5’30] Commissioned by the Choeur de clarinettes de l’Université de Montréal.

1995
         que jamais. baignant tout for Violin, Cello and Piano. [8’]