Chair, Bell, Floor
With sound artist Tomas Phillips.
We are each working on a personal interpretation of the same recording:
a long moment where the physicality of our gestures opens on silence, contour, colour, ryhthm.

Estudo de um piano
Together with brazilian pianist Luciane Cardassi, elaboration of a prepared piano.
A conversation around the aspects of physicality of sounds (piano) and of the human (the pianist).
October-November 2007

Zurich-Bamberg
with english musician and sound artist Bill Gilonis. Long distance compositionbetweewn Zurich-Bamaberg and later Zurich-Montreal of two electroacoustic work and a collection of solo works composed expecially for this cd.
To appear on label AdHoc.

ce qui arrive
an invitation from the author Chantal Neveu. Here is her proposal:
"The aim is to bring the text - started in 2002 and achieved in 2005- into an audio context. I want to see appear an an oscillation of what is said, heard, thought and perceived. To explore the musicality of the text and the very fine fragility of the sound dimension.
I have invited the composer and audio artist Chantale Laplante to work together, to see what will happen. ’
Avec le soutien du Laboratoire Nouveaux Médias, Oboro, Montréal. Septembre 2005-Juin 2006
See also «èdres» de C. Neveu sur www.andsuch.name

Brilliant Days
For 4 Ears CD 1446 Improvised music in duo with Charlotte Hug, wiola and electronics. Recorded at the Free RadiCCAls series at the Center for Contemporary Arts in Glasgow and Bamberg, Germany. Brilliant Days was selected as one of the top ten jazz and improvised recordings of 2004 by the prestigious music magazine The Wire [Jan 05 issue].
To hear: www.electrocd.com/cat.f/f4e_1446.html

Variations
Video work in collaboration with the visual artist Inés Wickman. When the image becomes the shadow of sound and the sound the shadow of the shadow. 2004, 10 minutes. Distribution Groupe d’Intervention Vidéo, Montréal.
To see : www.givideo.org/fr/index/index_frames.html